Articulation gymnastics. Why is it important? Exercises and recommendations for articulation gymnastics for children Tongue gymnastics for children 3 4 years old

During the first years of life, a child has to acquire many skills and abilities, learn the rules of a safe life, and learn to speak. Children have enormous learning abilities; they acquire new knowledge every day.

It helps to master the skills of correct speech, which contributes to the development of the speech apparatus, strengthens the muscles involved in speaking, and helps to master the rules of pronunciation of sounds.

The importance of articulation gymnastics for children 4-7 years old

The first words spoken by a child are not clear and intelligible. Parents are touched by the harmless mistakes and speech deficiencies of their children. In most cases, children's speech becomes correct with age. However, not everyone manages to speak clearly and distinctly, pronouncing all sounds correctly.

Incorrect speech can prevent you from achieving success in many areas of life, and become an obstacle to practicing journalism and teaching. In childhood, a child will inevitably cause ridicule from his peers, and as an adult, he will be puzzled by the fact that his parents did not correct his speech defects in time.

Articulation gymnastics for children 4-7 years old allows you to form clear, smooth speech with the correct pronunciation of all sounds and intonation. This age will allow you to immediately learn to speak correctly, and not relearn when speech habits have already been formed.

Why is this necessary:

  1. Speech is not an innate gift. This ability must be formed and developed at an early age, and then improved throughout life.
  2. Sounds form the muscles of the jaws, tongue, and larynx. Like all other muscles of the body, they need constant training to be elastic, smooth and able to fully perform their functions.
  3. Correct oral speech helps to master writing.
  4. After practicing articulation gymnastics at the age of 4-5 years, it is easier to correct defects during classes with a speech therapist.
  5. Speech is sometimes slurred even when pronouncing sounds correctly. Weakness of the muscular system, lethargy of the tongue and palate leads to “porridge in the mouth.”

Gymnastics improves speech clarity, trains the correct position of the tongue and lips, and makes these skills habitual.

Important: articulatory gymnastics for children 4-5 years old trains muscles to improve speech organs, but does not replace classes with a speech therapist to correct speech defects.

Classification of exercise sets

For the comprehensive development of the speech apparatus, they are prepared, which help to train all muscles evenly. Static and dynamic actions are performed that form different functions of the speech organs.

Static

These actions are designed to teach children to fix the position of the articulatory muscles and maintain it for a short time - 5-8 seconds.

Elephant trunk. The lips are closed tightly, pulled forward and upward, imitating a proboscis. Hold the position for 5-10 seconds.

We yawn. The mouth is wide open, the tongue lies motionless.

Dynamic

They are performed on a count, focusing on getting into the rhythm. You can't rush and lag behind.

  • Imitation of the movement of a pendulum. The mouth is half-open, the tongue touches its corners on the left and right, following a given count.

Swing. Children try to reach their nose and chin with their tongue in turn.

Activities provided must be age appropriate. They should be gradually made more complex after the simpler ones have been fully mastered and performed clearly.


4-5 years

The video lesson will convince the child that all children do gymnastics to develop speaking skills, and this is interesting and exciting.

To make the task easier, presentations and moving folders have been created with colorful designs with pictures, drawings, nursery rhymes with illustrations. This visual material will arouse interest and desire to participate in the training.

Special and cheeks are accompanied by exercises. Articulation training tasks are illustrations of the adventures of the speech organs that take place in the fairy tale. Musical accompaniment enhances the impression and sets the rhythm of the exercises.

Complexes for the development of articulation skills are not complicated; once you look at the positions of the lips and tongue, you can practice with children on your own. Things to remember:

  1. Sound exercises should be selected taking into account the child’s speech defects and the difficulties that persist in speech.
  2. Choose tasks according to age, gradually increasing the complexity and number of repetitions.
  3. You should train your speech functions while sitting in a comfortable position.
  4. Remove all distracting things - toys, TV; ask friends and relatives not to interfere.
  5. Do not allow the child to grimace - play with his eyes, move his body. Only the muscles being trained should be tensed. Otherwise, a habit of making antics during a conversation will form.
  6. It is necessary to achieve symmetry of actions. The right and left parts of the speech apparatus should develop equally.
  7. Before a new task, you need to show correct execution and make sure that the action is performed correctly.

Due to insufficient muscle development, all actions will require some effort from children. Articulation gymnastics, started at 4-5 years old, will help the child more easily learn to compose sentences, and then write.

Finally

Classes to improve articulation are training muscles and ligaments, helping children in a playful way to master the basic provisions of the language when pronouncing different sounds. They need to be accompanied by a conversation, during which the child will learn new words and learn to express thoughts clearly and accurately.

Speech development is a complex and lengthy process in which failures are possible. Some of them arise due to genetic predisposition or unsuccessful childbirth, while others are the result of psychological trauma or pathologies of the speech apparatus.

If problems arise, there is no need to panic; it is much more productive to seek help from a speech therapist. After the examination, the doctor will understand the nature of the deviations and take measures to correct them.

Why do you need gymnastics for the tongue?

Articulation gymnastics is useful for all children. The purpose of this kind of physical education is to improve the mobility of the speech apparatus, to develop the correct posture of the lips and tongue for the clear pronunciation of sounds. She will teach some children to speak correctly, and prepare others for a meeting with a speech therapist and more complex exercises. Exercise complexes include three types of exercises: for the tongue, lips and cheeks.

Correct pronunciation plays a big role in mental and emotional development. Communication with peers is extremely important and can become more difficult due to problems in speech development. It is better to start working with your child before the age of 4 years. Of course, you can do the exercises later, but achieving results will be more difficult.

If children aged 2-3 years old use gymnastics to train and develop their speech apparatus, then older children have their existing defects corrected. Physical training of the language helps to quickly detect and correct problems with pronunciation.

Speech exercises are carried out in a playful way and kids like them. Simple exercises are easy to remember and do at home. They do not require a lot of free time and special efforts from parents.


Indications for performing exercises for children 3-4 years old

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Speech therapy exercises train the child’s articulatory muscles and force them to work actively and correctly. Articulatory exercise and tongue massage are indicated for children who have congenital or acquired speech defects that arise for the following reasons:

In all of the above situations, speech gymnastics is combined with classes with a speech therapist. Constant observation and regular exercise and logomassage helps to achieve positive results in a short time. The listed deviations are basic, but training articulatory muscles is useful for absolutely all children.

Symptoms of articulatory muscle hypertonicity

Hypertonicity is excess muscle tension. Children with this diagnosis are often irritable and tense. They are unable to relax, even when they fall asleep.

Externally, children with increased tone are given away by pursed lips, sometimes this can cause folds to form. The tongue is pulled back and tenses. At the same time, his back bends and presses against the sky, so sometimes it seems that the child is speaking through his nose. Muscle hyperonus prevents you from turning your head completely, opening your mouth wide, or holding it in that position. The upper lip is stretched and pressed against the gums or simply raised.

This pathology is an indication for a relaxing massage. The session begins with soft sliding movements in the neck and shoulders. This helps reduce tissue excitability and relieve hypertonicity of the tongue root.

The facial muscles are massaged with longitudinal and transverse strokes of the forehead, the area around the eyes, cheeks, and the line from the earlobes to the nose. The lips are worked individually, first with soft movements from the corners to the center, then in a circular motion with light pressure.

Signs of low tone

Sometimes muscle tone is not increased, but rather below normal. Muscular hypotonia occurs due to underdevelopment of the nervous system and is often found in premature infants. Patients with reduced tone are too calm, they sleep well and practically do not cause problems for their parents, but such babies develop more slowly than their peers.

Hypotonia is characterized by the following symptoms: sagging cheeks and facial contours, the lower lip turns out and practically lies on the chin, the tongue becomes flaccid and falls out of the mouth. The child is simply unable to keep his mouth closed.

The purpose of the massage in this case is to activate the articulatory muscles. They begin to carry it out in the same way from the neck and shoulders with soft grasping movements. The procedure should touch and stimulate the muscles associated with the muscles of the tongue.

  • Stroking movements of the forehead, the area above the eyes, and chin are complemented by kneading the zygomatic and cheek muscles.
  • The cheeks are massaged on both sides: inside and outside at the same time.
  • The lips are stroked and pinched from the middle to the corners. Pressure movements should increase gradually, without causing discomfort or pain to the child.

Often there are patients with mixed tone, when the cheeks are relaxed, and the tongue tenses and presses against the palate, or vice versa - a flaccid tongue, when it is impossible to distinguish its tip, with good tone of the lips and cheeks. Such children are given a differentiated massage that combines both tactics.

What will be needed to complete the complex?

Before prescribing speech therapy massage and articulation gymnastics to a child, the doctor conducts a thorough diagnosis of the little patient. During the examination, the structure of the neck and facial muscles and the upper body is checked. An experienced specialist is able to identify even minor deviations in speech function.

There is no need to massage the tongue in a clinic; a mother can do it to her child on her own at home. You will first need to thoroughly check the room in which you plan to carry out the procedure, wash and warm your hands.

The duration of the first sessions usually does not exceed 5 minutes and gradually, over 4 sessions, increases to 20. It must be remembered that the procedure time depends on the age and emotional state of the child.

You can learn massage techniques at an appointment with a speech therapist or by carefully studying the following video. Logomassage affects all the muscles of the speech apparatus, and special attention is paid to the tongue. It is not necessary to develop it using specialized devices. To strengthen the tip of the tongue, improvised objects such as a spoon or a toothbrush with soft bristles are suitable (we recommend reading:).

Massaging the tip of your tongue is not difficult. In addition to the brush, you will need gauze swabs that are placed under the tongue. This is necessary to collect excess saliva; during massage it is produced more strongly. When making longitudinal, circular or transverse movements along the tongue, you do not need to press hard on the brush. Actions should not cause pain or inconvenience. In most cases, children enjoy this process, even those who were wary of it at first.

Tongue exercise technique

Articulation exercises strengthen and develop the speech apparatus. Three-year-old children do not respond to all sounds, but with regular exercise, their speech becomes clear.

The effect of speech therapy exercises will be noticeable only if:

  • classes are held daily;
  • exercises are performed in front of a mirror so that the child has the opportunity to check the correctness of the actions;
  • more attention is paid not to the quantity of exercises learned, but to the quality of their implementation;
  • charging starts with simple complexes and gradually becomes more complex;
  • the exercises are presented in a playful, humorous form; sometimes the child does not need to be informed at all that he is doing the exercise; it is better to present everything in the form of a new game.

The baby must be prepared in advance for gymnastics by talking about the procedure; for clarity, you can use pictures. After this, there is a demonstration of the exercises, the first attempts to perform them together with the child, and adjustments.

At the initial stage, the difference in the tone of the muscles of the articulatory apparatus is visible to the naked eye. Gradually, the differences are smoothed out, and the tone returns to normal.

Children may start to try too hard or become nervous. It is necessary to relieve the emotional stress: stretch your shoulders, shake your hands with them. To improve perception, many sets of exercises are supplemented with funny poems. This also helps relieve stress and better remember the exercise.

There are two types of exercises. The difference is that with static actions, the lips and tongue are fixed in a certain position for several seconds, while dynamic actions force them to move.

Purpose of massage

Logomassage has proven itself in restoring speech functions, and for some diseases, such as cerebral palsy, such procedures are mandatory. In young patients with this diagnosis, muscle tone is impaired, which inevitably leads to speech defects. Massage helps achieve:

Please note that massage is strictly prohibited when:

  • stomatitis;
  • conjunctivitis and gingivitis;
  • herpes lesions of the oral mucosa;
  • enlarged lymph nodes.

For children with severe deviations in sound pronunciation, the addition of speech exercises with speech therapy massage is simply necessary. Massage improves the general condition of the body, stimulates blood circulation and improves metabolism. After completing the full course, lymph exchange is restored, muscle contractile function returns to normal.

Experts' opinions

Experts unanimously declare the benefits of speech development, even in the absence of obvious deviations; it is important to start working with the child as early as possible. Speech therapy massage improves blood circulation, increases muscle elasticity and is an excellent prevention of speech abnormalities.

In order for the baby to speak, it is necessary to stimulate him, talk to him more, or better yet, ask him about something, forcing him to speak on his own. Speech develops better in children with a broad outlook and those who are accustomed to sculpting, drawing, designing, i.e. develop fine motor skills of the hands. You should not worry if at 1.5-2.5 years old the child does not want to talk, this goes away in kindergarten, but with a three-year-old silent child, you need to consult a specialist to determine the cause of the problem.

It happens that the baby speaks a lot, but it is not clear, as if he has “porridge in his mouth.” The culprit of such slurring is most often the lazy tongue, which plays a very important role in pronunciation - it is the most mobile articulatory organ!

If the child’s tongue is passive - that is, his muscles are weak, he cannot move correctly in the oral cavity - then, alas, the baby will not have a beautiful pronunciation.

When should classes start?

Typically, speech therapists begin classes with children at the age of 3-4, since at an earlier stage it is difficult for the child to understand why he needs these lessons. And the active little fidget cannot sit for even 5 minutes. If your baby is already 2 years old and you understand that he already has problems with speech, try doing this exercise - fun, in a playful way, breaking the complex into 2-3 parts, so as not to make the baby reluctant to start doing exercises the next time once.

5 tips

1. Exercises must be done daily, preferably in the morning or evening, performing a set of exercises for 5-10 minutes.

2. You can break the complex into 2-3 parts to do all the exercises during the day.

2. It is better to conduct classes in a playful way, coming up with funny stories for exercises.

3. Articulation gymnastics is performed while sitting, since in this position the child has a straight back, the body is not tense, and the arms and legs are in a calm position.

4. Be sure to do exercises with your baby. You show - he repeats. During classes, the baby must clearly see the face of mom or dad, as well as his own, in order to independently control the correctness of the exercises.

5. It is optimal to conduct classes in front of a mirror.

Needle, pancake and others

Our exercises are based on relaxing and tensioning the tongue, strengthening the lateral and rectus muscles. Therefore, perform the exercises 2-4 times each in this sequence. Let's start with a warm-up.

Pancake. The mouth is open, a wide, relaxed tongue lies on the lower lip - but it has spread like a pancake.

Needle. The tongue is tense, extended forward and the tip is pointed, like a needle. We push the tongue forward, as if stabbing with a needle.

We paint the ceiling. The tongue moves back and forth, touching the palate.

We paint the walls. The tense tongue “paints” the inner surface of the cheeks.

Football. The tense tongue moves from side to side, resting against the inner surface of the cheeks.

Roll an egg. We use the tongue to make circular movements: between the front teeth and the upper lip, behind the cheek, between the lower teeth and lower lip, again behind the cheek, etc.

And we do a few more dynamic exercises based on these pictures.

Have fun! Just don’t overdo it: it’s better to do less and return to exercise in a good mood.












The role of gymnastics in correctional and speech therapy work

Speech sounds are formed as a result of a complex set of movements of the articulatory organs - kinema. The development of one or another kineme opens up the possibility of mastering those speech sounds that could not be pronounced due to its absence. We correctly pronounce various sounds, both in isolation and in the speech stream, thanks to strength, good mobility and differentiated functioning of the organs of the sound-pronunciation apparatus. Thus, producing speech sounds is a complex motor skill.

Already from infancy, the child makes a lot of diverse articulatory and facial movements with the tongue, lips, jaw, accompanying these movements with diffuse sounds (mumbling, babbling). Such movements are the first stage in the development of a child’s speech; they play the role of gymnastics of the speech organs in natural conditions of life. The accuracy, strength and differentiation of these movements develop in the child gradually.

For clear articulation, strong, elastic and mobile speech organs are needed - tongue, lips, soft palate. Articulation is associated with the work of numerous muscles, including chewing, swallowing, and facial muscles; the process of voice formation occurs with the participation of the respiratory organs (larynx, trachea, bronchi, lungs, diaphragm, intercostal muscles). Thus, when talking about special speech therapy gymnastics, one should keep in mind exercises of numerous organs and muscles of the face, mouth, neck, shoulder girdle, and difficult cells.

The method of educating sound pronunciation through specific gymnastics is recognized by a number of well-known theorists and practitioners specializing in speech disorders (M. E. Khvattsev, O. V. Pravdina, M. V. Fomicheva, etc.).

Articulatory gymnastics is a set of special exercises aimed at strengthening the muscles of the articulatory apparatus, developing strength, mobility and differentiation of movements of the organs involved in the speech process.

In order to choose the right exercises for articulatory gymnastics, you need to know what movements are characteristic of the various organs of the articulatory apparatus. The most mobile speech organ is the tongue. It consists of the root of the tongue (the base by which the tongue is attached to the hyoid bone) and the back, in which the posterior, middle and anterior parts are distinguished. Particular attention should be paid to the tip of the tongue, which ends the front part of the tongue, and the lateral edges of the front and middle parts of the tongue, since the quality of sounds depends on their work. Depending on which part of the tongue is involved in the formation of consonant sounds, they are divided into front-lingual (t, d, n, l, r, w, zh, ch, sch, s, z, ts), middle-lingual (th) and rear-lingual (k, g, x).

The front of the tongue and its tip have the greatest degree of mobility. The tip of the tongue can: fall behind the lower teeth (as with the sounds s, z, z), rise behind the upper teeth (as with the sounds t, d, n), press against the alveoli (as with the sound l), tremble under the pressure of the exhaled stream of air (as with the sound p). The front part of the back of the tongue can rise without the participation of the tip of the tongue to the alveoli and form a gap with them (as with the sounds s, z, z), rise to the palate along with the tip of the tongue and form a gap with the hard palate (as with the sounds sh, zh, sch ).

The middle part of the tongue is the most limited in its movements. Without advancement of the front or back, it can only rise towards the hard palate (as with the sound й and soft consonants).

The back of the tongue can rise and close with the palate (as with the sounds k, g) or form a gap with the palate (as with the sound x).

The lateral edges of the tongue can be pressed against the inner surface of the molars and do not allow the outgoing stream of air to pass sideways (as with the sounds s, z, ts, sh, zh, h, shch, r), or lower and allow the stream of air to pass out to the side (as with the sound l) . The tongue, taking different positions, changes the shape and volume of the oral cavity, which determines the quality of the vowel sound.

Lip mobility also plays a role in the formation of sounds. The lips can: stretch into a tube (as with the sound u), round (as with the sound o), expose the front upper and lower teeth (as with the sounds s, z, ts, l, etc.), slightly move forward (as with the sounds w, g). The lower lip has the greatest mobility. It can: close with the upper lip (as with the sounds p, b, m), form a gap, approaching the upper front teeth (as with the sounds f, v).

The lower jaw can move down and up, changing the opening of the mouth, which is especially important when forming vowel sounds.

The soft palate can rise and fall. When the soft palate is lowered, the exhaled stream of air passes through the nose; this is how the nasal sounds m, m n, n are formed ‘If the soft palate is raised, then it is pressed against the back wall of the pharynx and closes the passage to the nose; the exhaled stream of air then goes only through the mouth, and oral sounds are formed (all except m, m'n, n').

Thus, when pronouncing various sounds, each organ involved in the speech process occupies a certain position. In speech, sounds are not pronounced in isolation, but smoothly one after another, and the organs of the articulatory apparatus must quickly change their position. Achieving clear pronunciation of sounds, words, and phrases is possible only if there is sufficient mobility of the organs of the articulatory apparatus, their ability to rearrange and work in a coordinated manner.

The purpose of articulation gymnastics - development of full-fledged movements and certain positions of the organs of the articulatory apparatus, the ability to combine simple movements into complex ones necessary for the correct pronunciation of sounds. Articulatory gymnastics is the basis for the formation of speech sounds - phonemes - and the correction of sound pronunciation disorders of any etiology and pathogenesis; it includes exercises for training the mobility of the organs of the articulatory apparatus, practicing certain positions of the lips, tongue, soft palate, necessary for the correct pronunciation of both all sounds and each sound of a particular group.

To develop a methodology for speech therapy gymnastics, it is important to take into account the characteristics of age-related motor skills. Thus, the method of educating speech movements in a small, not yet speaking child is based on the following principle: the work of the sound-pronunciation apparatus is developed and streamlined by educating rhythmic movements on the basis of the automatic movements already existing in the child, with which the speech function is physiologically connected. These non-speech movements, formed from unconditioned reactions, turn into speech, into conditioned ones.

Guidelines for performing gymnastics

Classes are conducted according to the following scheme: first, rough, diffuse movements of the exercised organs are developed. As the child masters them, they move on to developing more differentiated movements in the same area. Inhibition of incorrect movements is achieved by using visual control, as well as introducing a rhythm into the work: individual movements are limited to a certain duration and are interrupted by pauses of the same duration according to the beat beat out by the hand. In this way, the movements of the actual sound-pronouncing organs are trained: lips, tongue, soft palate, pharynx, vocal cords, respiratory muscles.

The principle for selecting articulation exercises each time will be the nature of the pronunciation defect and the appropriateness of the recommended movements for the correct pronunciation of a given sound. You need to practice only the movements that need correction, and only those necessary for the sound being developed. Exercises should be targeted: it is not their quantity that is important, what is important is the correct selection of exercises and the quality of execution. Exercises are selected based on the task of achieving correct articulation of sound, taking into account the child’s specific disorder. For each child, a set of exercises is compiled individually by a speech therapist.

It is not enough to just select the movements that need correction; you need to teach the child to correctly use the appropriate movements, develop accuracy, purity, smoothness, strength, pace, stability of the transition from one movement to another.

The accuracy of the movement of a speech organ is determined by the correctness of the final result, which can be assessed by the final location and shape of this organ.

Smoothness and ease of movement involve movements without jolts, twitching, or trembling of the organ (muscle tension always disrupts the smoothness and softness of movement); the movement must be performed without auxiliary or accompanying movements in other organs.

Pace is the speed of movement. At first, the movement is performed somewhat slowly, the speech therapist regulates the pace by tapping with the hand or counting out loud, gradually speeding it up. Then the pace of movement should become arbitrary - fast or slow.

The stability of the final result means that the resulting position of the organ is maintained without changes for an arbitrarily long time.

The transition (switching) to another movement and position must be made smoothly and quickly enough.

When selecting material for articulatory gymnastics, it is necessary to follow a certain sequence - go from simple exercises to more complex ones. Gymnastics must be done emotionally, in a playful way.

In any exercise, all movements of the organs of the articulatory apparatus are carried out sequentially, with pauses before each new movement, so that the adult can control the quality of the movement, and the child can feel, realize, control and remember his actions. First, the exercises are performed at a slow pace in front of a mirror, i.e., visual self-control is used to achieve the final result. The exception is children with dysarthria. When performing articulatory gymnastics, visual control in such children is used selectively, taking into account the form and degree of dysarthria.

After the child learns to perform the movements, the mirror is removed, and the child’s own kinesthetic sensations (sensations of movement and position of the organs of the articulatory apparatus) take over the control functions. With the help of an adult’s leading questions, the child determines what his tongue (lips) does, where it is, what it is like (wide, narrow), etc. This gives children the opportunity to make their first discoveries, arouses interest in the exercises, and increases their effectiveness.

Each exercise is given a name in accordance with the action performed (for example, movements of the wide tip of the tongue behind the upper and lower teeth - “Swing”), and a picture-image is selected for it. The picture serves as a model for the child to imitate an object or its movements when performing articulatory gymnastics exercises. The speech therapist also teaches children to listen carefully to verbal instructions, carry them out accurately, and remember the sequence of actions.

The speech therapist performs exercises in front of a mirror together with the child. To do this, he must be able to show correct articulation and sense the positions and movements of the organs of his articulatory apparatus without visual control, which requires a certain skill and is achieved through training.

If the child is unable to make any movement, mechanical assistance must be used, for example, lifting the tongue by the upper teeth with a spatula, probe, etc. The child does not always feel exactly where his tongue should be at the moment. Then the speech therapist holds the end of the handle of a teaspoon in this place (for example, at the tubercles behind the upper incisors).

The child's passive movements are gradually transformed into passive-active, and then into active (independent) with visual self-control in front of the mirror. At first, independent movements will be slow. In the process of repeated repetitions, they become easy, correct, familiar and can be performed at an arbitrary pace.

Consolidating any skill requires systematic repetition of the action, so articulatory gymnastics must be done daily, preferably two to three times a day, so that the motor skills developed become stronger. The exercise should not bring the organ to overwork. The first sign of fatigue is a decrease in the quality of movement, which is an indication for temporary cessation of this exercise.

The dosage of the number of repetitions of the same exercise should be strictly individual both for each child and for each given period of work with him. In the first classes, sometimes you have to limit yourself to performing exercises twice due to increased exhaustion of the exercised muscle. In the future, you can increase the number of repetitions to 15-20, and, subject to short breaks, even more.

Of the three exercises performed, only one can be new, the other two are given for repetition and consolidation. If children do not perform an exercise well enough, the speech therapist does not introduce a new exercise at all, but practices old material, using new play techniques to reinforce it.

Articulatory gymnastics is usually performed while sitting, since in this position the child’s back is straight, the body is not tense, and the arms and legs are in a calm state. Children must be placed so that they can all see the speech therapist’s face. The face should be well lit and the lips should be brightly colored.

The speech therapist must monitor the quality of the movements performed by each child, otherwise articulatory gymnastics does not achieve its goal. The work is organized as follows.

1. The speech therapist talks about the upcoming exercise using game techniques.

2. The speech therapist demonstrates the exercise.

H. Each child performs the exercise in turn, and the speech therapist checks the correct execution.

4. All children perform the exercise at the same time.

At first, when children perform exercises, tension in the movements of the organs of the articulatory apparatus is observed. Gradually the tension disappears, movements become relaxed and at the same time coordinated.

Not all children master motor skills at the same time, so an individualized approach is necessary. You cannot tell a child that he is doing the exercise incorrectly - this can lead to a refusal to perform the movement. We need to show the child his achievements and encourage him.

If the speech therapist sees that the group mostly copes with the exercise and only some children do not succeed in everything, he conducts additional individual work with them or gives the teacher and parents the task of practicing these movements with the children.

During articulatory gymnastics, it is necessary to ensure that the movements of each organ are performed symmetrically in relation to the right and left sides of the face, but if one of the sides of the organ is weakened, predominantly one, weaker side is exercised and the exercises serve to strengthen it. In this case, movements with a load are practiced, i.e., overcoming resistance. Additionally, massage can be used.

The type, duration of articulation exercises, and their single dosage depend on the nature and severity of the speech disorder. Thus, with mild functional dyslalia, articulatory gymnastics usually ends with the transition to automation of the correct execution of the movement. For dysarthria, it is recommended to carry it out for a long time, and the longer the more severe the lesion.

Performing articulatory gymnastics exercises requires a lot of energy expenditure, certain effort and patience from the child.

The effectiveness of speech therapy work on the development of articulatory motor skills is largely determined by how the child himself participates in the process of its implementation, what role is assigned to him, and what is the degree of his initiative. Consolidating any skill requires systematic repetition. To prevent the child from losing interest in the work being done, articulation gymnastics should not be carried out according to a template, it should not be boring. A prerequisite for success is the creation of favorable conditions. It is necessary to involve the child in an active process, create an appropriate emotional mood, arouse keen interest, a positive attitude towards classes, and the desire to perform exercises correctly. To do this, it is best to use play as the main activity of children, and therefore the most natural and attractive form of activity for them. There must be an element of competition in the game, and there must be rewards for successfully completing the exercises. For a colorful and funny design of the game, pictures, toys, fairy-tale characters, and the use of poetic texts are used (see appendix).

Speech therapy exercises

Exercises for the muscles of the shoulder girdle

1. Raising and lowering the shoulders. When lifting, inhale through the nose, when lowering, exhale through the mouth.

2. Raising and lowering the shoulders alternately. When lifting, inhale through the nose, when lowering, exhale through the mouth.

3. Rotation of the shoulders (arms down) from front to back and back. When raising your shoulders, inhale through your nose; when lowering, exhale through your mouth.

4. Various hand movements: sideways, upwards, rotation, swimming movements, etc. When the chest expands, inhale; when it falls, exhale while pronouncing vowel sounds.

Exercises for neck muscles

Starting position - standing or sitting, back and neck straight.

1. Turn the head to the sides. When turning, inhale through your nose, when returning to the starting position, exhale through your mouth.

2. Tilt your head forward and down (exhale through your nose), lift it to the starting position and tilt it back (inhale through your mouth), return to the starting position (exhale through your mouth).

3. Turn the head to the sides: left (exhale through the nose), straight (inhale through the mouth), right (exhale through the nose), straight (inhale through the mouth).

Movements 1, 2, 3 are first performed without resistance, then with resistance from the hand, resting it with a hand or fist on the corresponding part of the head in the direction opposite to the movement.

4. Rotate the head from left to right and vice versa. Inhale through your nose, exhale through your mouth at a full turn.

5. Raising and lowering the head with strong pressure of the chin on the fists of both hands.

6. Palms to ears; tilting the head to the sides with resistance from the hands.

7. Lowering, throwing back, turning the head while pronouncing the sounds a-e-i-o-u.

8. Circular movements of the head.

9. Circular movements of the head while pronouncing vowel sounds as you exhale.

Gymnastics of the masticatory-articulatory muscles

All chewing muscles are paired; these muscles perform their functions simultaneously and depending on each other. Powerful and short muscle bundles, small leverage and range of motion cause rapid fatigue of the masticatory muscles, especially when the function of the temporomandibular joint is impaired. The participation of the dental system in the acts of chewing, facial expressions, and speech formation depends on the state of its function. Therefore, preventing the occurrence of contractures (restrictions in movement) is an important task of therapeutic exercises in cases of speech pathology, and especially in the surgical treatment of children with palate defects. When performing therapeutic exercises, it is necessary to individually dose physical activity, increasing or decreasing the number of exercises and the number of their repetitions, changing the starting position, range of motion or the number of muscle groups involved in the exercise.

1. Lowering and raising the lower jaw (opening and closing the mouth freely and overcoming the resistance of the hands).

2. Jaws in a calm position (count “one, two”). Movement of the lower jaw forward on the count of “three”:

a) without pressing on the lower jaw with the tongue;

b) with strong pressure - pushing the lower jaw with the tongue while moving forward.

When the jaw moves forward, inhale through the nose; when closing the mouth, exhale through the mouth, pronouncing the sound s or z at the final moment.

3. Pulling the lower jaw back to the count of “three”

a) the language is passive;

b) the tongue is pulled back with force.

4. Pushing the lower jaw forward and then pulling it back. Biting the tip of the pencil, raise the pencil to your nose and lower it down. (breathing, tongue position and sounds - as in exercise 2).

5. movement of the lower jaw to the right, breathing through the nose:

a) the language is passive;

b) the tongue rests forcefully on the jaw, helping the movement.

6. movement of the lower jaw to the left (produced in the same way as to the right).

7. movement of the lower jaw alternately to the right and left, directly one after the other:

a) the language is passive;

b) the tongue pushes the lower jaw.

8. Imitation of chewing.

9. Silent pronunciation of the vowels a, e, i, o, u. The tip of the tongue is at the lower incisors.

10. Circular movement of the lower jaw (we draw the letter o with the chin) with the mouth open and closed.

11. Static tension of the masticatory muscles (clench your teeth tightly for a count of two and slowly unclench them for a count of three).

12. Opening the mouth with a deep breath through the mouth (yawning).

13. Opening the mouth as often as possible and pronouncing the sounds pa-pa-pa.

Gymnastics of facial-articulatory muscles

The facial muscles are located superficially and are woven into the skin at one end. It is endowed with the property of reflecting a person’s mental state; facial expression is largely determined by the dynamics and statics of facial muscles. It is best to perform exercises in front of a mirror. The child can visually control the correctness of the movement and its amplitude.

1. Wrinkling of the entire face and stretching it in length with the opening of the mouth.

2. Raising and lowering the eyebrows. When the eyebrows are raised, the eyes open wide and horizontal wrinkles appear on the forehead; when lowering, the eyes almost close and vertical and horizontal wrinkles form above the bridge of the nose.

3. Simultaneous closing and opening of both eyes.

4. Alternately closing the right and left eyes. If one eye does not close separately from the other, then the non-closing eyelid is held in the closed position with a finger, while the other eye is rhythmically closed and opened. Thanks to the connection of the nerves of both halves of the face, the nerve impulse (push) is transmitted to the other eye, and it begins to close on its own.

5. Simultaneous, then alternate squinting of the eyes.

6. Slowly squinting the eyes, first both at once, then alternately the left and right (monitor the activity of the lower eyelids).

7. Alternately raising the corners of the mouth. When the left half of the mouth is calm, the right corner of the mouth rises, and vice versa.

8. Sniffing movement. When the jaws are clenched, the upper lip rises slightly, exposing the teeth; nasolabial folds are sharply expressed.

9. Simultaneous raising of both corners of the mouth.

10. Alternately lifting the left and right cheeks. Inhale through your nose, exhale through your mouth.

11. Jaws clenched. Alternately raising the corners of the mouth:

a) with the closure of the corresponding eye (the entire cheek rises);

b) without closing the eyes, with minimal raising of the cheek. Inhale through your nose, exhale through your mouth, through the teeth of the active side.

12. If the corner of the mouth does not rise, then with impulses of the lifting movement, the other corner of the mouth is kept from moving with a finger, and the inactive corner of the mouth is rhythmically raised with the fingers.

13. Teeth and lips are clenched. Simultaneous lowering of the corners of the mouth. Breathing through the nose.

14. Teeth and lips are closed. Alternate lowering of the left and right corners of the mouth. Breathing through the nose.

15. movement of the nostrils (simultaneous and alternate).

16. Give your face an expression of surprise, joy, grief, anger.

17. Relax your facial muscles, close your eyes, lower your lower jaw slightly.

Exercises to stimulate movements of the lower jaw

1. Throwing the jaw down with maximum extension of the tongue to the chin.

2. Throwing the jaw down with maximum extension of the tongue to the chin and mentally pronouncing the sounds a or e on a firm attack.

3. Throwing the jaw down with maximum extension to the chin and whispering the sounds a or e on a solid attack.

4. Throwing the jaw down while overcoming resistance (the speech therapist holds his hand under the child’s jaw).

5. Opening the mouth, overcoming resistance and pronouncing the sounds a or e on a soft attack.

6. Opening the mouth overcoming resistance and pronouncing the sounds a or e in a whisper during a soft attack.

7. Opening the mouth while tilting the head back.

8. Opening the mouth and throwing the head back, overcoming the resistance of the speech therapist’s hand lying on the back of the head.

9. Opening the mouth with turning the head left and right.

10. Mental or whispered pronunciation of a number of vowels requiring different widths of mouth opening: a-i, a-e, a-o, a-u, a-i-a, a-e-a, a-o-a, a -u-a, etc.

11. Pushing the lower jaw forward with the mouth closed.

12. Moving the lower jaw forward with the mouth open, lips in a smile.

13. Jaw movements left and right with the mouth closed.

14. Movement of the jaw to the right and left with the mouth open.

15. Starting position: mouth open. Movement of the jaw to the right, then return to its original position; pushing the jaw forward, returning to its original position; movement of the jaw to the left, returning to its original position.

16. Imitation of chewing.

17. Circular movements of the jaw (we draw the letter o with the chin).

18. Opening the mouth as often as possible and pronouncing the sounds la-pa-pa.

Gymnastics of the muscles of the pharynx and pharynx

1. Swallowing mushy food, liquid, saliva.

2. Yawning, opening the mouth wide, strongly inhaling air, but without noticeable exhalation.

3. Coughing. Opening your mouth wide, tense the muscles of the shoulder girdle, neck, and entire bottom of the mouth and, clenching your fists forcefully, clear your throat. Performed in front of a mirror.

4. Coughing with the tongue hanging out.

5. Deep breathing through the mouth with the nose pinched and through the nose with the mouth closed.

6. Imitation of gagging movements.

7. Having made a pre-vomiting movement, with tension in the muscles of the shoulder girdle, arms, and neck, clear your throat loudly with the sound a.

8. Imitation of chewing (energetic contraction of the muscles of the larynx and pharynx occurs).

9. Imitation: a) pigeon cooing, b) moaning, c) mooing; imitation of a whistle.

10. Pronouncing vowel sounds a-e-i-o-u.

11. Singing vowel sounds a-e-i-o-u.

12. Throwing back the head while overcoming resistance (the speech therapist holds his hand on the back of the child’s head and gives instructions to throw his head back).

13. Lowering the head while overcoming resistance (the speech therapist holds his hand on the child’s forehead and gives instructions to sharply lower his head).

14. Throwing back and lowering the head while pressing strongly with the chin on the fists of both hands.

15. Protrusion of the tongue to the chin and subsequent retraction of it into the mouth overcoming resistance. The child is asked to extend his tongue to his chin and then pull it into his mouth; At this time, the speech therapist, with light jerks, tries to keep the child’s tongue out of the mouth.

Exercises to activate the muscles of the soft palate

1. Gargling with heavy liquids (jelly, juice with pulp, Varenets).

2. Swallowing: a) saliva, b) drops of water, juice, etc.; imitation of swallowing movements.

3. Yawning, opening your mouth wide.

4. Inhale while yawning through your mouth, exhale through your nose.

5. Inhale through the nose and mouth at the same time - exhale through the mouth (exhale multiple times, frequently, jerkily, with a tense palate).

6. Voluntary coughing.

7. Coughing with the tongue hanging out.

8. Imitation of gagging.

9. Imitation of gagging with tongue hanging out.

10. Having made a pre-vomiting movement, clear your throat loudly with the sound a.

11. Snoring while inhaling and exhaling (imitation of a sleeping person).

12. Pronouncing vowel sounds a, e, i, o, u on a firm attack.

13. Singing the vowel sounds a, e, i, o, u.

14. Fixing the soft palate in the mirror with your vision, rhythmically raise and lower it, first combining the lifting with a yawn, and then without a yawn.

15. Pronounce, holding the tip of the protruding tongue with your fingers: n... A, n... A. (the sound n is separated from a by a pause.)

Tongue exercises

1. Mouth open. Lips in a smile. The wide tongue is held in the mouth in a relaxed, calm state, counting up to 5-10. Make sure that the tongue does not narrow and that its tip touches the lower teeth.

2. Mouth open. The lips are stretched into a smile. Sticking the tongue out with a shovel" (1) (In parentheses are the numbers of illustrations on the tab, p.): the tongue is given a flat, wide shape - so that its lateral edges touch the corners of the mouth. In a calm, relaxed state, the position is maintained for a count of 5-10. Make sure that the lower lip does not curl up, the wide tip of the tongue lies on the lip, and the tongue does not stick out far. If for a long time it is not possible to give the tongue a sufficiently wide shape, then: a) pronounce with a sluggish tongue five-five-five, bya-bya-bya; b) blow out air onto the tongue stretched between the lips; c) chant the sound and.

3. Lips in a smile. To relax your tongue, bite it over its entire surface, gradually sticking it out and retracting it again. The bites should be light.

4. The wide tongue is forcefully squeezed outward between the teeth so that the upper incisors scrape along the back of the tongue. Lips in a smile.

5. Mouth open. Lips stretched - grin. Sticking the tongue out with a needle ((2); the tongue is given the most pointed shape possible. Make sure that the tip of the tongue does not bend. If this movement fails for a long time, then: a) squeeze the tongue between the teeth or lips, squeezing it with the lips from the sides; b) reach with the tongue towards a finger, pencil or candy that is moved away from it; c) strongly stretch the tongue forward, to the right, to the left and, when it narrows in the corner of the mouth, carefully move it to the midline of the mouth and fix it in this position.

6. Mouth open. Lips in a smile. Alternately sticking out a wide and narrow tongue: “shovel” - “sting”. Make sure your lips and jaw are still.

7. Mouth open. Lips in a smile. Make your tongue stick out alternately widely spread (“shovel” and narrow (“sting”, “needle”). Make sure that the lips remain motionless.

8. The same movements of the tongue, but inside the oral cavity; the tip of the tongue rests either on the upper or lower teeth. The mouth is open. Lips in a smile (make sure they remain motionless).

9. The mouth is wide open, lips are stretched - grin. Sticking a wide tongue out of the mouth as far as possible, and then retracting it as deep as possible into the mouth so that only a muscle lump is formed; the tip of the tongue becomes invisible. Make sure that the jaw does not move and that the lips do not stretch over the teeth.

10. Mouth open. Lips in a smile. Turning the tongue strongly protruding from the mouth to the right and left so that the tip of the tongue touches the corners of the mouth (3, 4). Make sure that the jaw and lips do not move, and that the tongue does not slide over the lower lip and teeth.

11. Mouth is open. Lips in a smile. Using the tip of your tongue, lick your upper lip from one corner of your mouth to the other, trying to bring the tip of your tongue to the upper outer edge of the lip. Make sure that the lips do not stretch over the teeth, the tongue reaches the corners of the mouth, the movement is smooth, without jumps, the jaw does not move.

12. Mouth is open. Lips in a smile. Using the tip of your tongue, lick your lower lip from side to side. Bend the tip of the tongue to the outer edge of the lip. Make sure that the lips do not stretch over the teeth, the tongue reaches the corners of the mouth, the movement is smooth, without jumps, the lower jaw does not move.

13. Mouth open. Lips in a smile. Use the tip of your tongue to lick your lips, making a circular motion. The tip of the tongue reaches the outer edge of the lips. Make sure that the movement of the tongue is smooth, without jumps, the tongue reaches the corners of the mouth, the lips do not stretch over the teeth, and the jaw does not move.

14. Mouth closed. Licking the teeth under the upper lip from side to side, gradually bending the tip of the tongue more and more. Make sure that the jaw does not move and the lips do not move apart.

15. Mouth closed. Licking the teeth under the lower lip from side to side, gradually bending the tip of the tongue more and more. Make sure that the jaw does not move and the lips do not move apart.

16. Mouth closed. Licking the teeth under the lips in a circle, bending the tip of the tongue as much as possible. Make sure that the jaw does not move and the lips do not move apart.

17. Mouth open. Licking the teeth under the upper lip, curling the tip of the tongue as much as possible. Make sure that the mouth does not close and the lower jaw does not move.

18. Mouth open. Licking the lower teeth under the lip, turning the tip of the tongue as much as possible. Make sure that the mouth does not close and the lower jaw does not move.

19. Mouth open. Licking the teeth under the lips, performing a movement in a circle, bending the tongue as much as possible. Make sure that the mouth does not close and the lower jaw does not move.

20. Mouth closed. The tense tongue rests with its tip on one or the other cheek. Make sure that the jaw does not move (5, 6).

21. Mouth open. Lips in a smile. The tense tongue rests with its tip on one or the other cheek. Make sure that your jaw and lips do not move.

22. Mouth closed. The tip of the tongue rests on the cheek, and the tongue moves up and down. Make sure that the jaw does not move.

23. Mouth open. Lips in a smile. Smoothly move your tongue along the upper teeth, touching each tooth, from the outermost molar on one side to the outermost molar on the other side. Make sure that the jaw does not move and that the lips do not stretch over the teeth.

24. Mouth open. Lips in a smile. Smoothly move your tongue along the lower teeth, touching each tooth, from the outermost molar on one side to the outermost molar on the other side. Make sure that the jaw does not move and that the lips do not stretch over the teeth.

25. Turn over cubes of dry bread crusts, peas, etc. in your mouth (Recommended if your tongue is weak).

26. Mouth open. Lips in a smile. Raise and lower the wide tongue towards the upper and lower lip respectively. Make sure that the lower jaw does not move, the lips do not stretch over the teeth, and the tongue does not narrow (7, 8).

27. Mouth open. Lips in a smile. Insert the wide tip of the tongue between the upper lip and teeth (9), then between the lower lip and teeth (10). Make sure that the lips and lower jaw do not move and the tongue does not narrow.

28. Mouth open. Lips in a smile. Raise and lower the wide tongue towards the upper and lower teeth (11). Make sure that the lower jaw does not move, the lips do not stretch over the teeth, and the tongue does not narrow.

29. Mouth open. Lips in a smile. Raise your wide tongue to your nose and lower it to your chin (12). Make sure that the lips do not stretch over the teeth, the jaw does not move, and the tongue does not narrow.

30. Mouth open. Lips in a smile. Place the wide tip of the tongue on the tubercles behind the lower teeth on the inside (13), then lift it on the tubercles behind the upper teeth, also on the inside (14). Make sure that only the tongue works, and the lower jaw and lips remain motionless.

31. Mouth open. Lips in a smile. Place your wide tongue behind the lower teeth on the inside, then lift it up to the soft palate. Make sure that the tongue remains wide at all times, the lower jaw does not move, and the lips do not stretch over the teeth.

32. Mouth open. Lips in a smile. Use the wide tip of your tongue to stroke the roof of your mouth, making back-and-forth movements. Make sure that the tongue remains wide, and its tip reaches the inner surface of the upper teeth and does not protrude from the mouth. The lips and jaw should be motionless.

When performing exercises 29-32, to prevent the mouth from closing, use a mouth dilator or plug. The simpler method is with a cork: a cork is inserted into the corner between the jaws; it can be rubber or wooden with a wire handle to hold it between the teeth. You can use a clean finger.

33. Mouth open. Lips in a smile. Using the wide front edge of your tongue, lick your upper lip from top to bottom, and then pull your tongue into your mouth to the middle of your palate. Make sure that the tongue is wide at all times and its tip is curled. The lower jaw and lips should remain motionless.

34. Mouth open. Lips in a smile. Raise the wide tongue to the nose, then lower it to the upper lip, insert between the upper lip and teeth, touch the edge of the upper teeth, touch the tubercles behind the upper teeth, stroke the hard palate, moving backwards. Make sure that the lower jaw and lips are motionless and that the tongue does not narrow.

35. Mouth open. Lips in a smile. Lower the wide tongue to the chin, then raise it to the lower lip, insert between the lower lip and teeth, touch the tubercles behind the lower incisors. Make sure that the lower jaw and lips do not move, and that the tongue does not narrow.

36. Mouth open. Lips in a smile. Using the wide, curled tip of the tongue, touch the upper incisors from the outside, then from the inside (“the tongue steps over the teeth”). Make sure that the lower jaw and lips are motionless and that the tongue does not narrow when pulled into the mouth.

37. Mouth open. Lips in a smile. Using the wide tip of your tongue, touch the lower incisors from the outside, then from the inside. Make sure that the lower jaw does not move and that the tongue does not narrow when pulled into the mouth.

38. Mouth open. Lips in a smile. Using the wide tip of your tongue, stroke the upper incisors from the inside, making movements from top to bottom. Make sure that your lips and jaw are motionless and that your tongue does not narrow or protrude beyond your teeth.

39. Mouth open. Lips in a smile. Using the wide tip of your tongue, stroke the tubercles behind the lower teeth from the inside from bottom to top. Make sure that the lips and jaw do not move, and that the tongue does not narrow or extend beyond the teeth.

40. Mouth open. Lips in a smile. Using the wide tip of your tongue, touch the lower incisors on the inside, then the alveoli. Make sure your lips and jaw are still.

41. Mouth open. Lips in a smile. Using the wide tip of your tongue, touch the upper incisors on the inside, then the alveoli. Make sure that the lower jaw and lips remain motionless.

42. Mouth open. Lips in a smile. Lick the concave side of the spoon using the entire surface of the tip of the tongue. Make sure that the lower jaw and lips are motionless.

Licking drops from the concave surface strengthens the very tip of the tongue. By successively decreasing the size of the spoon from a tablespoon to a mustard spoon, you can achieve more subtle and precise movements.

43. Lips in a smile: a) bite the lateral edges of the tongue with your teeth, leaving only its tip free; b) in this position of the tongue, bend its wide tip towards the upper and lower gums. Make sure your lips remain still.

44. Mouth open. Lips in a smile. Resting the lateral edges of the tongue against the lateral upper teeth almost to the fangs, raise and lower the wide tip of the tongue, touching the upper and lower gums. Make sure that the jaw does not move and that the lips do not stretch over the teeth.

Exercises 43-44 are quite difficult, as they require activity of the edge of the tongue; at the same time, they are very useful for many sound installations, so they must be carefully worked out.

45. Mouth open. Lips in a smile. The wide tip of the tongue is brought under the upper lip and comes off with a click, being drawn down into the mouth. Make sure that the jaw does not move.

46. ​​Mouth open. Lips in a smile. Tongue out<желобком лодочкой (15): боковые края лопатообразного языка поднимаются, и по средней продольной линии языка образуется впадина. Если это движение долго не удается, то полезно помогать подниманию краев языка губами, осторожно надавливая ими на боковые края языка. Иногда помогает надавливание ребром шпателя (еще лучше - зондом) по средней линии языка, дети также могут помогать себе руками (следить за чисто той рук!).

47. Mouth open. The tongue sticks out like a “groove” (boat), motionless, and the lips either open wide (grin) or touch the “groove”.

48. Mouth open. Lips in a smile. The tongue is grooved inside the mouth

49. Mouth open. Lips in a smile. The tongue is protruded like a “cup” or “bowl” (16, 17): the lateral edges and the tip of the tongue rise upward, the back in the middle goes down like a pit. Hold the position for a count of 5-10. Make sure that your lips do not stretch over your teeth and that your lower lip does not support your tongue.

50. Mouth open. Lips in a smile. The tongue is protruded in a “cup”. Blow the cotton wool from the tip of your nose. In this case, the air should go in the middle of the tongue, the fleece flies straight up. Make sure that the lower jaw is motionless. The lateral edges of the tongue should be pressed against the upper lip. If this does not work, you can press them lightly. The lower lip should not curl up or be pulled over the lower teeth.

51. Lips in a smile. A wide tongue lies between the lips. Blow on your tongue and lips so that they vibrate. Make sure that your tongue and lips are relaxed and not tense. Do not bite your tongue with your teeth. The cheeks should not puff out.

52. Mouth open. Lips in a smile. The lateral edges of the tongue rest against the lateral upper teeth. Repeatedly drum with the tense, wide tip of the tongue on the upper gum: t-t-t, gradually increasing the tempo. Make sure that the lower jaw does not move, the lips remain in a smile, the sound is in the nature of a clear blow, and not squelching. The sound t must be pronounced so that the exhaled stream of air is felt. The tip of the tongue should not curl up.

53. The same as in exercise 52, but the sound is pronounced d-d-d.

54. Mouth open. Lips in a smile. Raise the wide tip of the tongue behind the upper teeth and say yes-dy repeatedly, first slowly, then gradually increasing the pace. The lips and lower jaw are motionless, only the tongue works. Make sure that the pronunciation has the character of a clear blow, the tip of the tongue does not turn up and an exhaled stream of air is felt. To control, you need to bring a strip of paper to your mouth. If the exercise is performed correctly, it will deviate.

55. Mouth open. Lips in a smile. Place your wide tongue on your upper lip and make movements back and forth, trying not to lift your tongue from your lip, as if stroking it. First you need to make slow movements, then, gradually speeding up the pace, add the sound of your voice until the sounds of bl-bl are heard (like a turkey “babbling”). Make sure your tongue is wide. The tongue should lick the upper lip, and not move forward. The lower jaw does not move.

56. Lips in a smile. Place the wide tip of your tongue on your lower lip. Place a thin piece of sticky candy on the very edge of your tongue. Have your child stick the candy to the roof of their mouth behind their upper teeth. Make sure that only the tongue works: the lower jaw must be motionless. If the lower jaw is involved in the movement, you can place your index finger or plug on the side between the molars. The exercise must be performed slowly at first, gradually increasing the pace.

57. Mouth open. Lips in a smile. Press the wide tip of the tongue against the palate behind the upper teeth and tear it off with a click (click the tip of the tongue). At first the exercise is performed slowly, then the pace accelerates. Make sure that the lower jaw does not move, the tip of the tongue does not turn inward, and the lips do not stretch into a tube.

58. Mouth open. Lips in a smile. Press the wide tip of the tongue to the palate behind the upper teeth and silently tear it off (silently click the tip of the tongue). Make sure that the lips and lower jaw are motionless, the tip of the tongue does not bend inward, the tip of the tongue rests on the palate behind the upper teeth and does not protrude from the mouth.

59. The mouth is open, the lips are in a smile. The wide tip of the tongue rests on the lower gum, the back of the tongue arches, then straightens. Make sure that the tongue does not narrow, the tip of the tongue remains at the teeth and does not pull back, the jaw and lips are not mobile.

60. Sucking the back of the tongue to the palate, first with the jaws closed, and then with the jaws open.

If suction fails, then:

a) place sticky candy on the back of your tongue; the child tries, pressing the back of his tongue to the palate, to suck the candy;

b) place the half-bent index finger on top of the chin, and with the thumb of the same hand press from the outside, from bottom to top, onto the bottom of the oral cavity, pushing the back of the tongue towards the palate.

61. Mouth closed. Suction to the palate and tearing off the back of the tongue with a click; the tip of the tongue rests on the lower gum, the jaw does not move.

62. Mouth open. Lips in a smile. Suction to the palate and removal from it with a click of the back of the tongue; the tip of the tongue rests on the lower gum. Make sure that your lips and lower jaw are still.

63. Mouth closed. Lips in a smile. Sucking the entire tongue<лопатой к нёбу и последующий отрыв от него со щелканьем при сомкнутых челюстях.

64. Mouth open. Lips in a smile. Sucking the entire tongue<лопатой» к нёбу и отрыв от него со щелканьем. Следить, чтобы кончик языка не подворачивался внутрь, губы не вытягивались в «трубочку», нижняя челюсть не двигалась.

To avoid movement of the lower jaw, use a mouth opener or a plug. You can use your finger.

65. The back of the tongue is pressed against the palate, the tip rests against the lower gum. Opening and closing of the mouth with this position of the tongue. Lips in a smile.

66. Mouth open. Lips in a smile. The wide tip of the tongue rests on the lower gum; the anterior-middle part of the back of the tongue rises until it comes into contact with the lower incisors, and then falls. Make sure that the lips do not stretch over the teeth, and the lower jaw does not move.

67. Mouth slightly open. Lips in a smile. The tip of the tongue rests on the alveoli behind the lower incisors. The tongue forcefully squeezes outward between the teeth so that the upper incisors scrape along the back of the tongue.

68. Mouth open. Lips in a smile. The wide tip of the tongue rests on the lower incisors. Pushing the front part of the back of the tongue forward (the tongue seems to “roll out of the mouth”), and then drawing it into the mouth. Make sure that the tongue does not narrow, its tip does not come off the teeth, and the lips and lower jaw do not move (18).

69. Mouth open. Lips in a smile. The wide tip of the tongue rests on the lower gum, and the back of the tongue either rises up, touching the soft palate and partly the hard palate, or falls down. Make sure that the lower jaw does not move.

If this movement fails, then at first the root of the tongue is pushed upward with the fingers from the outside in the area of ​​the hyoid bone or it is suggested to breathe through the nose with the mouth open.

70. Mouth open. Lips in a smile. The tip of the tongue is lowered down and pulled back, the back is arched. pronounce the sound y for a long time (“like the hum of a steamship”). Make sure that the jaw does not move, the lips do not stretch over the teeth, the tip of the tongue is lowered and located in the depths of the mouth, the back of the tongue is arched at all times.

71. Mouth open. Lips in a smile. The lateral edges of the tongue are pressed tightly against the upper molars, the back of the tongue bends down, the tip is free. The tongue moves back and forth, the lateral edges of the tongue slide over the molars. Make sure that the lower jaw does not move and that the lips do not stretch over the teeth.

72. Mouth open. Lips in a smile. Sucking a wide spade-shaped tongue to the palate and holding it in this position for a count of 10, and then tearing it off with a click. Make sure that the lips and lower jaw do not move, the lateral edges of the tongue are pressed equally tightly (neither half should fall down), the tip touches the upper gum. When repeating the exercise, you need to open your mouth wider.

73. Mouth open. Lips in a smile. Suction of the wide tongue with its entire plane to the palate. He did not let go of his tongue, closing and opening his mouth. When repeating the exercise, you should try to open your mouth wider and wider and keep your tongue in the upper position longer. Make sure that when you open your mouth, your lips do not move, one side of the tongue does not sag, and the tip of the tongue touches the upper gum.

74. Mouth open. Lips in a smile. Place the wide front edge of the tongue on the lower lip and, as if pronouncing the sound f for a long time, blow the cotton wool onto the opposite edge of the table. The lower lip should not be pulled over the teeth. You can't puff out your cheeks. Make sure that children pronounce the sound f and not the sound x, that is, that the stream of exhaled air is narrow and not scattered.

75. Mouth open. Lips in a smile. The wide tongue is lowered to the chin, a paper square measuring 1x1 cm is placed on the tip of the tongue and deflated. The lower lip should not curl up or pull over the teeth. You can't puff out your cheeks. Make sure that children pronounce the sound f in everyday life, and not the sound x (the exhaled stream of air should be narrow, not diffuse).

Gymnastics of lips and cheeks

1. Inflating both cheeks at the same time (25).

2. Inflating the right and left cheeks alternately (distillation of air from one cheek to the other) (27, 28).

3. Retraction of the cheeks into the oral cavity between the teeth, lips extended forward (26).

4. Alternately inflating and retracting the cheeks.

5. Sucking movements: the closed lips are pulled forward by the proboscis (29) and then returned to their normal position. The jaws are clenched.

6. Grin: lips, with clenched jaws, strongly stretch to the sides, up, down, exposing both rows of teeth, pressing tightly against the gums (21), and then calmly close again.

7. Proboscis followed by a grin with clenched jaws. When inhaling through the proboscis<пьют воздух», при выдохе произносят звуки с, з, и.

8. Grin with opening and closing of the mouth and subsequent closing of the lips.

9. Grin: a) grin, jaws closed; b) open your mouth with bared teeth; c) close your jaws; d) close your lips.

10. Grin with a motionless open mouth, followed by closing both rows of teeth with the lips.

11. Pushing the lips with a wide tube, a funnel with the jaws open (22).

12. Stretching out the lips with a narrow funnel (whistle), blowing out a candle, imitation of blowing a soap bubble (23).

13. With the jaws wide open, the lips are drawn inside the mouth, pressing tightly against the teeth (32).

14. Raising tightly compressed lips up (towards the nose) and lowering them down with tightly clenched jaws.

15. Raising the upper lip; Only the upper teeth are exposed.

16. Pulling down the lower lip; Only the lower teeth are exposed.

17. Raising and lowering in 4 steps alternately both lips: a) raise the upper lip, b) lower the lower lip, c) lower the upper lip to normal, r) raise the lower lip to normal.

18. Imitation of rinsing teeth: the air from inside presses hard on the lips (this movement can initially be helped by alternately puffing out the cheeks).

19. Gaining air under the upper lip, under the lower lip.

20. Suction of the upper lip under the lower one with a sharp release of it when opening the mouth (smacking).

21. Similar suction of the lower lip under the upper teeth.

22. Lip vibration (horse snorting).

23. Movement of the lips with the proboscis to the left, to the right; also with stretched lips.

24. Rotational movement of the lips with the proboscis: up, left, down, right; At first the movements are performed separately, then together.

25. With the jaws closed, the lower lip moves to the right and left.

26. The same movement with the upper lip.

27. With clenched jaws, tightly closed lips rise to the nose and fall to the chin. Breathing through the nose.

28. Strength gymnastics (in case of general lip weakness):

a) exercises with a suction cup; b) puff out your cheeks strongly, holding the air in your mouth with your lips if possible; c) hold a pencil, plastic, glass tubes with your lips (when breathing, air passes through both corners of the mouth - immediately or alternately); d) hold the gauze napkin with your lips (an attempt is made to pull it out).

29. Strengthening the lips when speaking silently:

a) consonant p-p-p;

b) vowels y, o, and;

c) with silent alternation of movements from a to i, from a to y and back;

d) with a silent smooth transition from and to a from a to o, from o to y and back;

e) with silent articulation of a row with a smooth transition to i-a-o-u and in the reverse order.

30. Blowing air alternately with each corner of the mouth.

An approximate set of exercises for developing the articulatory patterns of sounds s, s', 3, з, ц

The structure of the organs of articulation.

When pronouncing a sound, the lips are not tense, slightly stretched into a smile; Before labialized vowels the lips are rounded. The teeth are brought closer together by 1-2 mm, the upper and lower incisors are exposed. The tip of the tongue is wide, rests on the bases of the lower incisors, without touching the tops of the teeth. The anterior part of the back of the tongue is wide, rises to the upper alveoli and forms a groove-shaped gap with them. The middle part of the back of the tongue is lowered, and a longitudinal groove is formed in the middle of it. The back of the dorsum of the tongue is slightly raised. The lateral edges of the tongue fit tightly to the inside of the upper molars, closing the passage of the air stream on the sides. With this arrangement, a narrow passage (a round gap) is formed along the tongue along its midline. Passing through this gap, a strong exhaled stream of air causes a whistling noise. The narrower the gap, the higher the noise. The wider the gap, the lower the noise, turning into a “lisp.” The air stream should be narrow, cold, easily felt by the back of the hand brought to the mouth. The soft palate is raised, pressed against the back wall of the pharynx and closes the passage of the air stream into the nasal cavity. The vocal cords are open and do not produce voice.

When pronouncing soft S, the lips stretch more than when pronouncing hard S, and become tense. The anterior-middle part of the back of the tongue rises higher to the hard palate and moves slightly forward in the direction of the alveoli, as a result of which it narrows even more, and the noise becomes higher.

When articulating Z and Z, in addition to the articulatory structure of the voiceless sounds paired with them, the vocal cords close, the pressure of the air stream weakens.

When pronouncing the sound ts, the lips are neutral and take a position depending on the next vowel. The distance between the teeth is 1-2 mm. The sound is characterized by complex lingual articulation: it begins with a stop element (as with t), while the tip of the tongue is lowered and touches the lower teeth. The front part of the back of the tongue rises to the upper teeth or alveoli, with which it makes a bow; the lateral edges of the tongue are pressed against the molars. The sound ends with a slotted element (as in c), which sounds very short. The boundary between the plosive and fricative elements is not detected either audibly or articulatory, since they are fused together. The soft palate is raised and closes the passage to the nose. The vocal cords are open, the sound is dull. The exhaled air stream is strong.

The following exercises help develop the necessary movements of the tongue and the formation of an air stream.

1. “Punish the naughty tongue.”

Goal: to develop the ability to relax the muscles of the tongue and keep it spread wide.

Smile. Open your mouth slightly. Calmly place your tongue on your lower lip and, smacking it with your lips, pronounce the sounds la-la-la. Pat your tongue with your lips several times during one exhalation, then hold your wide tongue in a calm position with your mouth open, counting from 1 to 5-10. Make sure that the child does not retain exhaled air. Control of the exhaled stream of air is carried out using a cotton wool brought to the child’s mouth: if the exercise is performed correctly, the cotton wool will deflect. The lower lip should not curl up or be pulled over the lower teeth. The lateral edges of the tongue touch the corners of the mouth.

2. “Spatula”, “Pancake”, “Flatbread” (1, 19).

Goal: to develop the ability to make the tongue wide and keep it in a calm, relaxed state.

The mouth is open. Lips in a smile. Place the wide front edge of the tongue on the lower lip and hold it in this position while counting from 1 to 5-10. Make sure that your lips are not tense, that they do not stretch into a wide smile, that your lower lip does not curl up or stretch over your lower teeth. The tongue does not stick out far: it should only cover the lower lip. The lateral edges of the tongue should touch the corners of the mouth.

3. "Swing".

Goal: strengthen the muscles of the tongue. Develop mobility and flexibility of the tip of the tongue, the ability to control it.

a) the wide tongue rises to the nose and falls to the chin (12);

b) the wide tongue rises to the upper lip (7), then falls to the lower lip (8);

c) insert a wide tongue between the upper teeth and lip (9), then between the lower teeth and lip (10);

d) the wide tip of the tongue touches the upper incisors (11), then the lower ones;

e) with the wide tip of the tongue, touch the tubercles (elveoli) behind the lower incisors (13), then behind the upper ones (14);

f) with the wide tip of the tongue, touch the alveoli behind the lower incisors, then touch the soft palate.

When performing all exercises, make sure that the tongue does not narrow, the lips and lower jaw are motionless, and the lips are not pulled over the teeth.

4. “The tongue goes over the teeth.”

Goal: strengthen the muscles of the tongue, develop flexibility and accuracy of movements of the tip of the tongue, and the ability to control it.

The mouth is open. Lips in a smile. Tongue movements:

a) with a wide tongue touch the upper teeth from the outside, then from the inside;

b) with a wide tongue, touch the lower teeth from the outside, then from the inside.

When performing exercises, make sure that the tongue does not narrow, the lower jaw and lips are motionless.

5. “Let’s brush our teeth”

Goal: learn to hold the tip of the tongue behind the lower teeth, develop the ability to control the tongue, precision of movements.

The mouth is open. Lips in a smile. Use the wide tip of your tongue to stroke your lower teeth, moving your tongue up and down. Make sure that the tongue does not narrow, stops at the upper edge of the teeth and does not go beyond it, the lips are in a smiling position, and the lower jaw does not move.

6. "Pie".

The mouth is open. Lips in a smile. Place your wide tongue on your lower lip. Then the side edges of the tongue are raised and folded into a patty.

If this exercise fails for a long time, it is useful to help lift the lateral edges of the tongue with your lips, pressing them on the lateral edges of the tongue. Sometimes this movement is helped by pressing along the midline of the tongue with a probe, needle, etc.; Children can help themselves with their hands (make sure your hands are clean!).

7. “Groove”, “Boat” (15).

Goal: strengthen the muscles of the tongue, develop the ability to control the tongue, develop the upward movement of the lateral edges of the tongue.

The mouth is open. Lips in a smile. Tongue out. The lateral edges of the spade-shaped tongue rise, and a depression is formed along the middle longitudinal line of the tongue. The tongue is held in this position for a count from 1 to 5-10. Make sure that your lips do not help your tongue and remain motionless.

8. "Dump truck"

Goal: strengthen the muscles of the tongue, develop lifting of the lateral edges of the tongue, develop mobility and flexibility of the tip of the tongue.

The mouth is open. Lips in a smile. The lateral edges of the tongue rest against the lateral upper teeth almost to the fangs. Raise and lower the wide tip of the tongue, touching the upper and lower gums, behind the teeth. Make sure that the lower jaw and lips are motionless.

9. “Gorka”, “Pussy is angry” (20).

Goal: to develop the upward movement of the back of the tongue, the ability to hold the tip of the tongue against the lower teeth.

The mouth is open. Lips in a smile. The wide tip of the tongue rests on the bases of the lower incisors. The back of the tongue arches, then straightens. Make sure that the tip of the tongue does not come off the teeth, the tongue does not narrow, the lips and lower jaw are motionless.

10. “Reel” (18).

Goal: to develop the ability to raise the lateral edges of the tongue, bend the back of the tongue, holding the tip of the tongue at the lower teeth.

The mouth is open. Lips in a smile. The wide tip of the tongue rests on the bases of the lower incisors. The lateral edges of the tongue are pressed against the upper molars. Wide tongue<выкатывается» вперед и убирается в глубь рта. Следить, чтобы язык не сужался, боковые края языка скользили по коренным зубам, кончик языка не отрывался от резцов, губы и нижняя челюсть были неподвижны.

11. Exercise in pronouncing sounds and.

Goal: to develop the ability to control language.

In a game form, the pronunciation of the sound and, in which the position of the tongue is close to the normal articulation of the sound c, is practiced.

12. “Put the ball into the goal.”

Purpose: to produce a long-lasting, directed air stream.

Stretch your lips forward with a tube and blow for a long time on a cotton ball lying on the table, trying to drive it into<ворота» между двумя кубиками. Загонять шарик следует на одном выдохе, не допуская, чтобы воздушная струя была прерывистой. Следить, чтобы щеки не надувались; для этого их можно слегка прижать ладонями.

13. “Blow through a straw”

The mouth is open. Lips in a smile. Roll your tongue into a tube and blow on a narrow strip of paper secured between the eyebrows and hanging down to the middle of the face. When the exercise is performed correctly, the paper strip deviates upward. Try to hold it on the exhaled air stream for as long as possible. Make sure your cheeks don't puff out.

Goal: to produce a smooth, long-lasting, continuous air stream running down the middle of the tongue.

The mouth is open. Lips in a smile. Tongue out. The lateral edges of the spade-shaped tongue are raised. As if pronouncing the sound f for a long time, blow the cotton wool onto the opposite edge of the table. Make sure that the cheeks do not puff out, the lower lip does not stretch over the lower teeth, so that the children pronounce the sound f, not x, that is, so that the air stream is narrow and not scattered.

15. “Blow away a snowflake”

Goal: to produce a smooth, targeted stream of air running down the middle of the tongue.

The mouth is slightly open. Lips in a smile. A wide tongue sticks out. The tip of the tongue is lowered. The lateral edges of the tongue are pressed against the upper teeth. Place a paper square measuring 1x1 cm on the tip of your tongue and blow it off. Make sure that the cheeks do not puff out and the lips do not stretch over the teeth, so that the children seem to pronounce the sound f, not x.

16. “Blow through a straw”, “Storm in a glass”.

Goal: to develop the ability to direct an air stream along the middle of the tongue.

The mouth is open. Lips in a smile. The wide tip of the tongue rests on the bases of the lower incisors. A cocktail straw is placed in the middle of the tongue, the end of which is lowered into a glass of water. Blow through the straw to make the water in the glass bubble. Make sure that your cheeks do not puff out and your lips are motionless.

17. “Fence” (21).

Goal: strengthen the orbicularis oris muscle, develop the ability to keep your lips in a smile.

The teeth are closed. Lips in a smile. The upper and lower incisors are visible.

18. “Speaker” (22).

Goal: strengthen the orbicularis oris muscle, develop the ability to round the lips and hold them in this position.

The teeth are closed. The lips are rounded and slightly extended forward, as with the sound o. The upper and lower incisors are visible.

19. “Tube” (23).

Goal: strengthen the orbicularis oris muscle, develop the ability to extend rounded lips forward.

The teeth are closed. The lips are rounded and extended forward, as with the sound u.

20. “Fence” - “Speaker” - “Pipe” (21, 22, 23).

21. Exercise in pronouncing the sounds t-s. Before pronouncing the sound ts, it is useful to carry out an exercise in alternately pronouncing the sounds t and s, which helps to quickly switch the tongue from one position to another and is necessary for the correct pronunciation of the sound ts. At first the sounds are pronounced slowly, then the pace quickens and the sounds are pronounced without interruption: ts-ts-ts. When pronouncing, one blow of an air stream is felt (check with the back of your hand). Make sure that children do not pronounce tes or thousand.

From the listed exercises, the speech therapist selects only those that are necessary to correct the impaired sound, depending on the type of pronunciation defect.

An approximate set of exercises for developing the articulation patterns of the sounds sh, zh, ch, sch

Arrangement of organs articulation.

When pronouncing the sound sh, the lips are rounded and slightly extended forward (before the subsequent vowel a, rounding is minimal; before s(i), there may be no rounding. The teeth are close together, but not touching, the distance between them is 2-5 mm, the upper and lower incisors are visible. The wide tip of the tongue is raised to the alveoli or the front part of the hard palate and forms a gap with them. The front part of the back of the tongue is wide, raised to the palate behind the alveoli (reminiscent of the shape of the front edge of a ladle), but does not touch the palate, but forms a gap with it. The middle part of the back the tongue is lowered, bends downwards (the depression in the middle forms, as it were, the bottom of a “bucket”) The back of the back of the tongue rises towards the soft palate and is pulled back. The lateral edges of the tongue are pressed against the upper molars and do not allow the escaping stream of air to pass along the sides. The soft palate is pressed to the back wall of the pharynx and closes the passage into the nasal cavity. The vocal cords are not tense, they are spread apart, the voice is not formed. The air stream is strong, wide, warm, easily felt with the back of the hand brought to the mouth.

When the sound is formed, the articulation is the same as when the sound is formed; it is complemented by the work of closed and oscillating vocal folds that produce voice. The exhaled stream of air is somewhat weaker, and the gap between the tip of the tongue and the hard palate is smaller than when the tongue is formed.

The sound shch in Russian is pronounced as a long soft fricative sibilant. When pronouncing it, the lips are rounded and slightly moved forward. The wide tip of the tongue is raised to the level of the upper teeth (lower than when pronouncing sh). The front part of the back of the tongue bends slightly, the middle part rises towards the hard palate, the back part is lowered and moved forward. The tongue is tense. The velum is raised, the vocal folds are open. A strong stream of air passes through two slits: between the middle part of the back of the tongue and the hard palate and between the tip of the tongue and the front teeth or alveoli. A complex noise is formed, higher than with the sound sh.

When pronouncing the sound h, the lips, as when pronouncing all hissing sounds, are rounded and elongated. The sound has complex linguistic articulation: it begins with a stop element (as with the sound ‘p’). The tip of the tongue is lowered and touches the lower incisors. The front part of the back of the tongue is pressed against the upper incisors or alveoli, its middle part is curved towards the hard palate. The whole language moves forward somewhat. The sound ends with a short fricative element (as with the sound u). The boundary between the plosive and fricative (fricative) elements is not captured either aurally or articulatory, since the elements are fused together. The soft palate is raised and closes the passage to the nose, the vocal cords are open.

1. “Spatula”, “Pancake”, “Flatbread” (see p. 32).

2. "Pie".

Goal: strengthen the muscles of the tongue, develop the ability to raise the lateral edges of the tongue.

The mouth is open. Lips in a smile. Tongue out. The lateral edges of the spade-shaped tongue rise upward, and a depression is formed along the middle longitudinal line of the tongue. Hold the tongue in this position while counting from 1 to 5-10. Make sure that your lips do not help your tongue and remain motionless.

3. “Swing (see p. 32).

5. Painter

Goal: to develop upward movement of the tongue, its mobility, and the ability to control it.

The mouth is open. Lips in a smile. Use the wide tip of your tongue to stroke the palate, moving the tongue back and forth (from the teeth to the throat and back). Make sure that the tongue does not narrow, reaches the inner surface of the upper incisors and does not protrude from the mouth, the lips do not stretch over the teeth, and the lower jaw does not move.

6. “Fungus” (24).

Goal: strengthen the muscles of the tongue, develop upward movement of the tongue, stretch the hyoid frenulum.

The mouth is open. Lips in a smile. Press the wide tongue with its entire plane against the palate (the tongue is suctioned) and hold it in this position, counting from 1 to 5-10. The tongue will resemble a thin cap of a fungus, and the stretched hyoid frenulum will resemble its stem. Make sure that the lateral edges of the tongue are equally tightly pressed to the palate (neither half should sag), so that the lips do not stretch over the teeth. When repeating the exercise, you need to open your mouth wider.

7. "Accordion".

Goal: strengthen the muscles of the tongue, develop the ability to hold the tongue in a vertical position, stretch the hyoid frenulum.

The mouth is open. Lips in a smile. Press the wide tongue to the palate (the tongue is sucked) and, without lowering the tongue, open and close the mouth. When repeating the exercise, you should try to open your mouth wider and hold it in this position longer. Make sure that when you open your mouth, your lips are in a smile and remain motionless, and your tongue does not sag.

8. “Delicious jam”

Goal: strengthen the muscles of the tongue, develop mobility of the tongue, develop the lifting of the wide front part of the tongue.

The mouth is open. Lips in a smile. Using the wide front edge of the tongue, lick the upper lip, moving the tongue from top to bottom, then pull the tongue into the mouth, towards the center of the palate. Make sure that the tongue does not narrow; when retracted, its side edges slide over the molars, and the tip of the tongue is raised. The lips do not stretch over the teeth, the lower jaw does not “pull the tongue up” - it must be motionless.

9. “Cup” - “Ladle” (16, 17).

Goal: strengthen the muscles of the tongue, develop the raising of the lateral edges and tip of the tongue, the ability to hold the tongue in this position.

The mouth is open. Lips in a smile. Tongue out. The lateral edges and tip of the tongue are raised, the middle part of the back of the tongue is pubescent, bends downwards. In this position, hold your tongue while counting from 1 to 5-10. Make sure that the lips do not stretch over the teeth and that the lower jaw is motionless.

10. "Focus".

Goal: to develop the ability to hold the side edges and tip of the tongue in a raised state, to learn to direct the air stream along the middle of the tongue.

The mouth is open. Lips in a smile. Tongue out. The lateral edges and tip of the tongue are raised, the middle part of the back of the tongue bends downwards. Holding your tongue in this position, blow the cotton wool from the tip of your nose. Make sure that the lower jaw is motionless, the lips do not stretch over the teeth, and the cotton wool flies straight up.

11. “Sleigh”.

Goal: to develop tongue mobility, the ability to hold the tongue in an upper position with raised lateral edges.

The mouth is open. Lips in a smile. The lateral edges of the tongue are pressed tightly against the upper molars, the back bends down, the tip is free. moving the tongue back and forth, the lateral edges of the tongue sliding along the molars. Make sure that the lower jaw does not move and that the lips do not stretch over the teeth.

12. “Mouthpiece” (see p. 35).

13. “Fence” - “Speaker” - “Pipe” (21, 22, 23).

Goal: strengthen the orbicularis oris muscle, develop the ability to quickly change the position of the lips.

The teeth are closed. The lips imitate the pronunciation of the sounds i-o-u.

14. Exercise in pronouncing sounds t ‘-sh.

Before making the sound h, it is useful to carry out an exercise in alternately pronouncing the sounds t’ and sh. This facilitates rapid switching of the tongue from one position to another, which is necessary to pronounce the sound h. At first, the sounds are pronounced slowly, then the tempo accelerates. Make sure that children do not pronounce thousand or tesch.

15. “Slide” (20).

Goal: to develop the lifting of the anterior-middle part of the back of the tongue, the ability to quickly change the position of the tongue.

The mouth is open. Lips in a smile. The wide tip of the tongue rests on the lower incisors, and the anterior-middle part of its back first rises until it comes into contact with the upper incisors, then lowers. Make sure that the lips do not stretch over the teeth and the lower jaw does not move.

An approximate set of exercises for developing the articulation patterns of the sounds l, l’

The structure of the organs of articulation.

To pronounce the sound l, a rather complex work of various parts of the articulatory apparatus is required: the lips are neutral and take a position depending on the next vowel; the distance between the upper and lower incisors is 2-4 mm; the tip of the tongue rises and presses against the bases of the upper incisors (but can also occupy a lower position); the front and middle parts of the back of the tongue are lowered, its root part is raised and pulled back, a spoon-shaped depression is formed in the middle; the lateral edges of the tongue are lowered and allow an outgoing air stream to pass through; the exhaled stream of air is weak; the soft palate is raised and closes the passage to the nose; The vocal cords vibrate to produce the voice.

The articulation of soft l' differs from the articulation of hard l in that the lips are slightly pulled to the sides when pronouncing it (which is typical for soft consonants). The anterior-middle part of the back of the tongue rises towards the hard palate and moves forward somewhat; the back of the back of the tongue, together with the root, is significantly moved forward and lowered.

The following exercises help develop the necessary tongue movements.

1. “Punish the naughty tongue” (see p. 32).

2. “Spatula” “Pancake”, “Flatbread” (see p. 32).

3. “Swing I” (7, 8).

The mouth is open. Lips in a smile. Place a wide tongue on the outside of the upper lip, then on the lower lip. Tuck the tip of the tongue as much as possible. Make sure that the tongue does not narrow, the lips do not stretch over the teeth, and the lower jaw does not move.

4. “Swing-II” (9, 10).

Goal: to develop the ability to quickly change the position of the tongue, develop mobility and flexibility of the tip of the tongue, and the accuracy of its movements.

The mouth is open. Lips in a smile. Insert a wide tongue between the upper lip and upper teeth, then between the lower lip and lower teeth. Make sure that the tongue does not narrow, the lips and lower jaw are motionless.

5. "Swing-III".

Goal: to develop the ability to quickly change the position of the tongue, develop flexibility and accuracy of movements of the tip of the tongue.

The mouth is open. Lips in a smile. Place your wide tongue behind your lower teeth on the inside, then lift your wide tongue behind your upper teeth on the inside. Make sure that the tongue does not narrow, the lips do not stretch over the teeth, and the lower jaw does not move.

6. “Delicious jam” (see p. 38).

7. “Click the tip of your tongue”

Goal: strengthen the tip of the tongue, develop tongue elevation.

The mouth is open. Lips in a smile. Press the wide tip of the tongue against the tubercles behind the upper teeth and tear off with a click. Perform the movements slowly at first, gradually speed up the pace. Make sure that the lower jaw does not move, the lips do not stretch over the teeth, and the tip of the tongue does not turn inward.

8. “Click the tip of your tongue silently.”

Goal: to develop upward movement of the tongue, strengthen the muscles of the tongue, and develop the accuracy of movements of the tip of the tongue.

The mouth is open. Lips in a smile. Press the wide tip of the tongue against the tubercles behind the upper teeth and silently tear it off. First perform the exercise at a slow pace, then at a fast pace. Make sure that the lower jaw and lips do not move. The tip of the tongue should not curl inward and should not protrude from the mouth.

9. "Turkey".

Goal: to develop the elevation of the tongue, to develop flexibility and mobility of its front part.

The mouth is open. Lips in a smile. Use the wide edge of your tongue in front of it to move back and forth across your upper lip, trying not to lift your tongue from your lip; bend the tip slightly, as if stroking the lip. First, make slow movements, then speed up the tempo and add your voice until the sounds of bl-bl are heard. Make sure that the tongue does not narrow (the tongue should lick the upper lip, and not move forward), so that the upper lip does not stretch over the teeth, and the lower jaw does not move.

10. “Gorka”, Pussycat is angry” (20).

Goal: strengthen the muscles of the tongue, develop lifting of the back and root of the tongue.

The mouth is open. Lips in a smile. The wide tip of the tongue rests on the tubercles behind the lower teeth, the back of the tongue curves upward, then straightens out. Make sure that the tip of the tongue does not leave the alveoli, and that the lips and lower jaw remain motionless.

11. Exercises in pronouncing the sound k (g).

Options:

a) The mouth is open. Lips in a smile. The tip of the tongue is lowered and pulled back. Slowly pronounce the sound k, trying to hold the curved tongue in the upper position for as long as possible. Make sure that the lower jaw and lips are motionless;

b) The same, but pronounce the sound g.

12. “Swing” (18).

Goal: strengthen the muscles of the tongue, develop lifting of the back and root of the tongue, and their mobility.

The mouth is open. Lips in a smile. The wide tip of the tongue rests on the tubercles behind the lower teeth, the back of the tongue arches, the tongue<выкатывается» вперед и убирается в глубь рта. Следить, чтобы кончик языка не отрывался от альвеол, губы и нижняя челюсть были неподвижными.

13. "Steamboat".

Goal: to develop lifting of the back and root of the tongue, to strengthen the muscles of the tongue.

The mouth is open. Lips in a smile. The wide tip of the tongue is lowered and pulled back, the back of the tongue is curved towards the palate. Make the sound y for a long time (the steamer hums). Make sure that the tip of the tongue does not rise and is in the depths of the mouth, the back is well arched, the sound y does not turn into i, the lips and lower jaw are motionless.

An approximate set of exercises for developing the articulation patterns of the sounds r, r’

Way of life, organs of articulation.

To pronounce the sounds p, p’, complex work of all the muscles of the tongue is required. When pronouncing r, the mouth is open. The lips take position in accordance with the following vowel sound. The tip of the tongue and its front part are spread wide and raised to the bases of the upper teeth, tense; the tip of the tongue does not fit tightly to the upper alveoli and vibrates in the passing air stream. The middle part of the back of the tongue is lowered, the lateral edges are pressed against the upper molars. The back of the tongue is pushed back and rises slightly towards the soft palate. The soft palate is raised and closes the passage to the nose; The vocal folds are closed and vibrate to produce voice. The exhaled stream of air passes through the middle. The jet must be strong and directed.

The soft sound r' differs from the hard sound in that when it is articulated, the middle part of the back of the tongue rises to the hard palate, the tip of the tongue is slightly lower than when pronouncing r, the back of the back of the tongue, together with the root, is moved forward.

The following exercises help develop the necessary movements of the tongue and air stream.

1. "Swing"

Goal: strengthen the muscles of the tongue, develop tongue elevation, develop mobility and flexibility of the tip of the tongue, and the ability to control it.

Options:

a) The mouth is open. Lips in a smile. The wide tongue rises to the nose and falls down to the chin (12). Make sure that the tongue does not narrow, the lips do not stretch over the teeth, and the lower jaw does not move;

b) The mouth is open. Lips in a smile. The wide tongue rises to the upper lip (7), then falls to the lower lip (8). Make sure that the tongue does not narrow, the lips do not stretch over the teeth, and the lower jaw does not move;

c) The mouth is open. Lips in a smile. The wide tip of the tongue touches the upper incisors (11), then the lower ones. Make sure that the tongue does not narrow, the lips and jaw do not move;

d) The mouth is open. Insert a wide tongue between the upper teeth and lip (9), and then between the lower teeth and lip (10). Make sure that the tongue bends as much as possible and does not narrow, the lips and lower jaw are motionless;

d) The mouth is open. Lips in a smile. With the wide tip of your tongue, touch the tubercles behind the upper incisors, then behind the lower ones (13, 14). Make sure that the tongue does not narrow, the lips do not stretch over the teeth, and the lower jaw does not move;

e) The mouth is open. Lips in a smile. With the wide tip of the tongue, touch the tubercles behind the lower incisors, then lift the tongue up, touching the soft palate with the tip. Make sure that the tongue does not narrow, the lips do not stretch over the teeth, and the lower jaw does not move.

2. Reach your nose with your tongue.

Goal: strengthen the muscles of the tongue, develop tongue elevation, develop mobility of the tip of the tongue, and the ability to control it.

The mouth is open. Lips in a smile. Raise the wide tip of the tongue towards the nose and lower it towards the upper lip. Make sure that the tongue does not narrow, the lips and lower jaw are motionless.

3. Reach your chin with your tongue.

Goal: strengthen the muscles of the tongue, develop mobility of the tip of the tongue, and the ability to control it.

The mouth is open. Lips in a smile. Lower your wide tongue under your chin, then lift it towards your lower lip. Make sure that the tongue does not narrow, the lips and lower jaw are motionless.

4. “The tongue steps over the teeth” (see p. 33).

5. “Whose teeth are cleaner?”

Goal: to develop tongue lifting, flexibility and mobility of the tip of the tongue, the ability to control the tip of the tongue.

The mouth is open. Lips in a smile. Using the wide tip of your tongue, brush your upper teeth from the inside, moving your tongue up and down. Make sure that the tongue is wide, the lips do not stretch over the teeth, and the lower jaw does not move.

6. “Painter” (see p. 38).

7. "Horse"

Goal: strengthen the muscles of the tongue, develop tongue elevation.

The mouth is open. Lips in a smile. Press the wide spade-shaped tongue to the palate (the tongue is suctioned) and tear it off with a click. Make sure that your lips are in a smile and that your lower jaw does not “pull” your tongue upward. A mouth opener is placed to fix the jaw. A plug can be used, which is inserted into the corner of the mouth on the molars, or the child’s thumb (make sure your hands are clean!).

8. “Fungus” (see p. 38).

9. “Accordion” (see p. 38).

10. Click the tip of your tongue.

Goal: strengthen the muscles of the tongue, develop lifting of the tongue, flexibility and mobility of the tip of the tongue, the ability to control the tip of the tongue.

The mouth is open. Lips in a smile. Press the wide tip of the tongue against the tubercles behind the upper teeth and tear off with a click. At first the exercise is performed at a slow pace, then faster. Make sure that the lips and lower jaw are motionless, only the tongue works.

11. “Delicious jam” (see p. 38).

12. “Chattering Turkey” (see p. 41).

13. “Focus” (see p. 39).

14. “Snorting.”

Goal: to develop vibration of the tip of the tongue.

Place a wide, relaxed tongue between your lips. blow on your tongue and lips so that they vibrate. Make sure that your lips do not tense, your cheeks do not swell, and your tongue does not clamp between your teeth.

15. "Automatic".

Goal: to develop tongue elevation, flexibility and mobility of the tip of the tongue.

The mouth is open. Lips in a smile. With the tense tip of your tongue, tap on the tubercles behind your upper teeth, repeatedly and clearly pronouncing the sound t-t-t - slowly at first, gradually speeding up the pace. Make sure that the lips and lower jaw are motionless, the sound t has the character of a clear blow, and does not clap, the tip of the tongue does not tuck, and an exhaled stream of air is felt. To check, bring a strip of paper to your mouth: if the exercise is performed correctly, it will deviate.

16. "Drum-I".

Goal: to develop tongue lifting, the ability to make the tip of the tongue tense; develop his mobility.

The mouth is open. Lips in a smile. Using the wide tip of your tongue, tap the palate behind your upper teeth, pronouncing the sound d-d-d repeatedly and clearly. At first, pronounce the sound d slowly, gradually speed up the tempo. Make sure that the lips do not stretch over the teeth, the lower jaw does not move, the tongue does not narrow, its tip does not tuck, so that the sound d has the character of a clear blow and is not squelching. The sound d is pronounced so that the exhaled air stream is felt.

17. "Drum-II".

Goal: to develop the elevation of the tongue, to develop elasticity and mobility of the tip of the tongue.

The mouth is open. Lips in a smile. Raise your wide tongue up to the palate and pronounce distinctly yes-dy one by one. When pronouncing the syllable yes, the tongue is retracted to the center of the palate; when pronouncing dy, it moves to the tubercles behind the upper incisors. At first the exercise is performed slowly, then the pace accelerates. When pronouncing, an exhaled stream of air should be felt. Make sure that your lips do not stretch over your teeth. The lower jaw should not move. The pronunciation of yes-da should be clear, not squelching, and the tip of the tongue should not curl up.

Speech is a complex process in which various organs are involved. Articulatory gymnastics for children helps to train the muscles of these organs, as a result of which speech development occurs faster and the child develops correct pronunciation. There are various sets of exercises. Some are aimed at general speech development, others help cope with diction problems.

A speech therapist will help you choose the right set of exercises. After examining the baby and talking with him, he will select an individual lesson program. If there is a significant delay in the development of speaking skills, it is advisable to consult a neurologist, since problems in speech development may be associated with serious diseases.

There are exercises designed to induce active speech, and if the child is healthy, then the mother can work with him on her own. Although a consultation with a speech therapist will still be useful: a special program may be needed. Exercises train certain muscles and help the baby begin to actively talk. They develop mobility and dexterity of the articulatory apparatus:

  • language;
  • bridles.

Gymnastics for children should be made colorful and interesting. If the exercises are presented in the form of a game, the little fidget will practice with pleasure and quickly master the subtleties of the world of sounds. It is good to reinforce verbal descriptions with visual images, preparing colorful pictures with images for each exercise.

What else needs to be taken into account: the child does not see his own language, and therefore it is difficult for him to understand the requirements of adults if something goes wrong. Therefore, it is good if he can perform the exercises in front of a mirror and see the position of his lips and tongue. If he still can’t cope, you need to help him by guiding his tongue with a spatula, the handle of a spoon or another clean, oblong and non-sharp object.

At the beginning of classes, you need to invite the child to perform several exercises, and add the rest gradually, no more than one new exercise per lesson. If there are problems in performing old ones, then new exercises should not be introduced. It is better to let the child get comfortable and feel that everything is working out for him.


Complex for children 1-4 years old

It’s hard for kids to concentrate on something for a long time, and they get tired quickly. Therefore, gymnastics should last no more than 10 minutes a day, and it should start with two or three, gradually increasing the time.
Dynamic exercises for children under 4 years old:

  • "Snake";
  • “Kneaded the dough”;
  • “Brushing our teeth”;
  • "Watch";
  • "Swing";
  • "Fed hamster";
  • "Balloons".

Static exercises:

  • "Hippopotamus";
  • "Smile";
  • "Proboscis";
  • "Pancake";
  • "Hungry Hamster"

Alternate static and dynamic exercises, then the child will not get bored. Accompany your explanations with elements of fairy tales or stories about animals. For example, during the “Proboscis” exercise, you can tell that the child is pretending to be a little elephant learning to stretch out its trunk.


A set of exercises for children 4-7 years old

Children at this age are already more prepared for classes, so their duration increases. Articulation gymnastics for children can last 15-20 minutes. This will be enough for the development of the corresponding muscles, and the child will not have time to get tired during this time. The exercises can be performed in any order, but it is better to start with lip exercises. One exercise should last about 5-10 seconds or be repeated 5-7 times. All elements from the complex described below are suitable for this age group.

It is not clear to the child how long he should do the exercise, so the adult should count out loud to 5 or 7 while doing it.


A block of exercises for developing lip muscles.

  • "Smile". The child should be asked to smile without showing his teeth. This muscle position is maintained for up to 5 seconds.
  • "Proboscis". The lips need to be folded into a tube and pulled forward as much as possible.
  • "Hippopotamus". The child should be asked to open his mouth wide and sit in this position for 5 seconds.
  • "Fence". We explain that you need to smile so that the upper and lower teeth are as open as possible. This facial expression also lasts for about 5 seconds.
  • Alternating exercises “Smile” and “Fence”. Performed 5 times.

Block for developing tongue muscles.

  • “Pancake” (spatula). The relaxed tongue should be placed on the lower lip (without sticking out). Lasts 5 seconds.
  • "Angry Pussy". The tip of the tongue rests on the lower teeth, the lateral ones rest on the molars, and the middle part imitates a slide. The child should lightly bite the “slide” with his teeth. The exercise is performed with your mouth open.
  • "Swing" . The mouth opens and the tongue alternately rises up and down.
  • "Snake". The tongue sticks out as far as possible, while the child should try to make it as narrow as possible. After this, the tongue is hidden. The action is repeated up to 7 times.
  • “Brushing our teeth.” The tip of the tongue needs to be brushed across the upper and then lower teeth from the left to the right edge. Perform 2 times from above and below.
  • "Sail". The end of the tongue rests on the upper teeth and is held in this position for 7-10 seconds.
  • "Painter". We run our tongue across the palate in the direction from front to back (from teeth to throat). You can tell your child that the tongue is a paint brush that paints the sky.
  • "Turkeys". The tip of the tongue should be moved quickly back and forth along the upper lip.
  • "Watch". The child should open his mouth slightly and alternately touch the left and right corners of his mouth with the tip of his tongue. To make it more interesting, you can explain that this is an imitation of a clock pendulum. You need to make 5-10 movements back and forth.
  • "Cup". With your mouth wide open, you need to keep the tongue up, but not touching the teeth.
  • "Delicious jam". The upper lip is licked with a wide tongue (licking off the jam), after which the tongue is hidden. The exercise must be repeated several times.
  • "Woodpecker". Use the tip of your tongue to quickly and forcefully tap the back of your upper teeth for 5-7 seconds.
  • "Motor". The position is as in the previous exercise - the mouth is open, the tongue knocks behind the upper teeth. At the same time, you need to exhale strongly to make the sound “dyn-dyn-dyn.”
  • "Kneaded the dough". The tongue rests on the lower lip (pancake position), while the mouth opens and closes.

For the sublingual ligament of the tongue.

  • "Horse". The child should click his tongue, voicing the clatter of hooves.
  • "Fungus". The tongue is firmly applied (sucked to the palate) and held in this position for 5 seconds.
  • "Accordion". Holding your tongue in the “mushroom” position, you need to open/close your mouth 5 times.

Exercises for the cheek muscles.

  • "Balloons" . The cheeks are puffed out, then the child should hit them with moderate force to force the air out.
  • "Fed hamster". First, both cheeks are inflated, then the right and left ones alternately.
  • "Hungry Hamster". The cheeks are drawn in and held in this position for 5-7 seconds.


Parents or teachers?

Children with poorly developed speech apparatus will not demonstrate dizzying success. Gymnastics is difficult for them, and it is the parents’ responsibility not to give up, despite failures. At the same time, you should not show your dissatisfaction to your child. It is not in vain that speech therapists study the basics of pedagogy. Parents will also have to become a little teacher and a little psychologist to work with their child.

Be kind and patient with your child, behave calmly. What an adult perceives as the norm for a little person is a whole new world that takes time to master. Patience will definitely be rewarded and your baby will delight you with correct diction.